Art Critique

Patricia Gelin I. DoctoleroMarch 6, 2013 E-1R Mater Dolorosa By Simon Dela Rosa Flores (Critique Paper) The work of art entitled Mater Dolorosa that is painted utilizing oil by Simon Dela Rosa Flores on a canvas (104 x 73. 5 cm). Simon Flores is known for his strict works of art that were appointed by rich families and ward places of worship. The date of the work of art when it was made was not known. I. Understanding When I initially observed the artistic creation, I thought of a mother considering her child/daughter.The kids behind the mother and gazing at her were her gatekeeper heavenly attendants that help, solace and guide her to petition God for her child/little girl. I feel that the child/little girl has been an issue to his/her mom and has been away for quite a while. Thus, she has been sitting tight for him/her to return to her consideration and she has been lamenting, aching for them to be with her. The gatekeeper blessed messengers are remaining by the side of mother to b e quiet and reveal to her trust God to wrap up for her. The artwork gives an inclination to me that are tranquil and pitiful, yet brimming with expectation and trust in God that He will assist her with bringing back her youngster. Additionally read this Critique of Stuff Is Not SalvationIn a way, I can likewise recollect my own mom in the artwork that consistently deals with me and is constantly stressed at whatever point I am not close by. I picked this fine art as a result of all, I esteem most my family and God. This artwork gives everything to me and reflects genuine feelings that a mother must feel at whatever point she is dismal, yearning for her youngster to return to her. Numerous accounts can be related with this painting. Another story that I can likewise identify with the canvas is the mother’s kid has been dead and still the mother can't acknowledge the way that her kid was at that point gone.II. Exploration PART (Artwork Interpretation by Artist) The translation of Simon Dela Rosa Flores of his craftsmanship entitled Mater Dolorosa was truly what the painting needs to tell the watchers. He said that it was his own variant of lamenting mother with long wavy hair against a dull blue and whi te tunic that represents the feelings that the mother feels like pitiful and on edge. The hands of the mother were fastened near her heart to reflect despondency. Her outward appearances were exceptionally inactive and troubled.The youngsters that are behind the mother were angels that are managing the mother in the midst of he distress. III. Components OF ART USED The components of craftsmanship that were utilized by Simon dela Rosa Flores were shading and worth. The hues that were utilized, represented the feelings and sentiments that was felt by the mother in the work of art like the dim blue for distress and the white tunic for trust and furthermore for confidence in God. The cherub’s shading delineates direction and furthermore light from them. Worth is likewise utilized such that the work of art has its social worth particularly for Filipinos.It is additionally a direct result of the profound significance behind the artwork of the lamenting mother. IV. SOCIO-HISTORICAL CONTEXT ON ART AND SOCIETY Simon dela Rosa Flores is known in his time in dedicating his craft to strict perspectives, well off and celebrated individuals. He prefers making representations of individuals and the vast majority of his works of art remembers utilization of oil for a canvas. One of his strict compositions is the Mater Dolorosa which is near his mom and kid and San Roque yet rather than the kid there where angels. Mater Dolorosa implies lamenting mother in Spanish.Many forms of this work of art were done exceptionally on the Spanish occasions. Hs painting began in the nineteenth century where the illustrados saw the ascent of specialty of painting. The illustrados contracted painters to make picture of themselves to report and for others to see their newly discovered riches and societal position. One of the painters who are selected is no other than Simon Flores. He painted adornments, design extras, minuet subtleties of weaved garments and strict benefactors. From that point, he began painting strict figures and even rich families turned into his core interest. Workmanship Critique Patricia Gelin I. DoctoleroMarch 6, 2013 E-1R Mater Dolorosa By Simon Dela Rosa Flores (Critique Paper) The fine art entitled Mater Dolorosa that is painted utilizing oil by Simon Dela Rosa Flores on a canvas (104 x 73. 5 cm). Simon Flores is known for his strict artistic creations that were dispatched by rich families and area temples. The date of the work of art when it was made was not known. I. Understanding When I previously observed the work of art, I thought of a mother pondering her child/daughter.The youngsters behind the mother and gazing at her were her watchman holy messengers that help, solace and guide her to appeal to God for her child/little girl. I imagine that the child/little girl has been an issue to his/her mom and has been away for quite a while. Thus, she has been hanging tight for him/her to return to her consideration and she has been lamenting, yearning for them to be with her. The watchman heavenly attendants are remaining by the side of mother to be quiet and reveal to her trust God to wrap up for her. The artwork gives an inclination to me that are tranquil and dismal, however brimming with expectation and trust in God that He will assist her with bringing back her kid. Additionally read this Critique of Stuff Is Not SalvationIn a way, I can likewise recall my own mom in the artwork that consistently deals with me and is constantly stressed at whatever point I am not close by. I picked this work of art due to all, I esteem most my family and God. This work of art gives everything to me and reflects genuine feelings that a mother must feel at whatever point she is tragic, yearning for her youngster to return to her. Numerous accounts can be related with this painting. Another story that I can likewise identify with the canvas is the mother’s kid has been dead and still the mother can't acknowledge the way that her youngster was at that point gone.II. Exploration PART (Artwork Interpretation by Artist) The understanding of Simon Dela Rosa Flores of his fine art entitled Mater Dolorosa was truly what the painting needs to tell the watchers. He said that it was his own variant of lamenting mother with long wavy hair against a dim blue and white tunic that represents the feelings that the mother feels like dismal and restless. The hands of the mother were caught near her heart to reflect despondency. Her outward appearances were latent and troubled.The youngsters that are behind the mother were seraphs that are controlling the mother in the midst of he distress. III. Components OF ART USED The components of craftsmanship that were utilized by Simon dela Rosa Flores were shading and worth. The hues that were utilized, represented the feelings and sentiments that was felt by the mother in the work of art like the dull blue for distress and the white tunic for trust and furthermore for confidence in God. The cherub’s shading delineates direction and furthermore light from them. Worth is likewise utilized such that the artistic creation has its social worth particularly for Filipinos.It is additionally a result of the profound significance behind the composition of the lamenting mother. IV. SOCIO-HISTORICAL CONTEXT ON A RT AND SOCIETY Simon dela Rosa Flores is known in his time in committing his craft to strict perspectives, affluent and popular individuals. He prefers making pictures of individuals and the greater part of his artworks remembers utilization of oil for a canvas. One of his strict artworks is the Mater Dolorosa which is near his mom and kid and San Roque however rather than the youngster there where seraphs. Mater Dolorosa implies lamenting mother in Spanish.Many renditions of this canvas were done uniquely on the Spanish occasions. Hs painting began in the nineteenth century where the illustrados saw the ascent of craft of painting. The illustrados contracted painters to make picture of themselves to archive and for others to see their newly discovered riches and economic wellbeing. One of the painters who are designated is no other than Simon Flores. He painted adornments, design frill, minuet subtleties of weaved garments and strict benefactors. From that point, he began painting strict figures and even rich families turned into his core interest.